Fine art Photography-definition and uses

Fine art photography

Fine art photography also known as “photographic art”, “artistic photography” and so on.Fine art photography as it name implies has no specific definition Or maybe, it refers to an imprecise category of photographs, created in accordance with the creative vision of the cameraman. The essential thought behind the class, is that rather than only catching a realistic rendition of the subject, the photographer is intending to create a more personal – typically more evocative or atmospheric – impression. One might simplify this, by saying that fine art photography depicts any picture taken by a camera where the expectation is aesthetics (that is, a photo whose value lies primarily in its beauty – see, Aesthetics) rather than scientific (photographs with scientific value), business (product photographs), or journalistic (photographs with news or illustrative value).

List of fine art photography definitions

Among the definitions that can be found in reference books are:

  • “Art photography”: “Photography that is done as a fine art — that is, done to express the artist’s perceptions and emotions and to share them with others”.
  • “Fine art photography”: “A picture that is produced for sale or display rather than one that is produced in response to a commercial commission”.
  • “Fine art photography”: “The production of images to fulfill the creative vision of a photographer. … Synonymous with art photography”.
  • “Artistic photography”: “A frequently used but somewhat vague term. The idea underlying it is that the producer of a given picture has aimed at something more than a merely realistic rendering of the subject, and has attempted to convey a personal impression”
  • “Fine art photography”: Also called “decor photography,” or “photo decor,” this “involves selling large photos… that can be used as wall art”.

Uses of photography in art

Photography advanced from the camera obscura, an instrument that projected a picture through a little opening, enabling the artist to make an accurate tracing of an object or scene. The primary notice of its use as a drawing aid showed in Magia Naturalis, a scientific treatise by the Italian scientist Giambattista della Porta. Numerous Old Masters from the 17th and 18th century, including Jan Vermeer (1632-75), and Canaletto (1697-1768), are believed to have used it in their drawing.

With the spread of camera-photography from 1840 onwards, the utilization of photographs became regular in the creation of both portrait art and additionally landscape painting. Many figure painters and portraitists started utilizing the new mode of photography notwithstanding models, to reduce sitting-time. The extraordinary 19th century American realist painter, Thomas Eakins (1844-1916), for example, was an energetic user of the camera, who made photography as a major aspect of his pursuit of realism, instead of as an easy route to composition and perspective. Photography was likewise  employed by landscape artists – prominently the French Impressionist painters, as a guide to plein-air painting.

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